<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" >

<channel><title><![CDATA[KENGINKAN-&#21091; &#37504; &#39208; - Notre Blog]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog]]></link><description><![CDATA[Notre Blog]]></description><pubDate>Sun, 26 Jul 2026 05:10:22 +0200</pubDate><generator>Weebly</generator><item><title><![CDATA[Seigo Ryu]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/seigo-ryu]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/seigo-ryu#comments]]></comments><pubDate>Sat, 14 Mar 2020 20:34:10 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/seigo-ryu</guid><description><![CDATA[ [...] ]]></description><content:encoded><![CDATA[]]></content:encoded></item><item><title><![CDATA[La fête Bouddhique Pagode de Vincennes Paris]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/la-fte-bouddhique-pagode-de-vincennes-paris]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/la-fte-bouddhique-pagode-de-vincennes-paris#comments]]></comments><pubDate>Sat, 12 Jun 2010 22:45:21 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/la-fte-bouddhique-pagode-de-vincennes-paris</guid><description><![CDATA[Paris-Vincennes : F&ecirc;te du bouddhismeD&eacute;but&nbsp;Samedi, 12 Juin 2010Fin&nbsp;Dimanche, 13 Juin 2010F&ecirc;te du Bouddhisme12 et 13 Juin 2010-------------------------------------------Cliquez pour lire l'invitation &gt;&gt;Grande Pagode du Bois de VincennesRoute de la ceinture du lac Daumesnil &ndash; 75012 Pariswww.bouddhisme-france.orgPROGRAMME&nbsp;SAMEDI 12 JUIN14 h Ouverture des portes14 h &ndash; 17 h 30 Stands, Ateliers, animations, expositions14 h 30 C&eacute;r&eacute;monies  [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph" style=" text-align: left; "><span style="color: rgb(57, 78, 91); font-family: Tahoma, sans-serif; line-height: normal; font-weight: bold; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; ">Paris-Vincennes : F&ecirc;te du bouddhismeD&eacute;but&nbsp;Samedi, 12 Juin 2010<br />Fin&nbsp;Dimanche, 13 Juin 2010<br /><span style="font-size: medium; "><strong>F&ecirc;te du Bouddhisme<br />12 et 13 Juin 2010</strong></span><br /><br />-------------------------------------------<br /><a href="http://www.religionspourlapaix.org/img/fetebouddhisme.pdf" target="_blank" style="font-family: Tahoma, sans-serif; text-decoration: none; color: rgb(5, 8, 77); ">Cliquez pour lire l'invitation &gt;&gt;</a><br /><br />Grande Pagode du Bois de Vincennes<br />Route de la ceinture du lac Daumesnil &ndash; 75012 Paris<br /><a href="http://www.bouddhisme-france.org/" style="font-family: Tahoma, sans-serif; text-decoration: none; color: rgb(5, 8, 77); ">www.bouddhisme-france.org</a><br /><br /><strong>PROGRAMME</strong><br /><br />&nbsp;<strong>SAMEDI 12 JUIN</strong><br /><br />14 h Ouverture des portes<br />14 h &ndash; 17 h 30 Stands, Ateliers, animations, expositions<br />14 h 30 C&eacute;r&eacute;monies d&rsquo;offrande inter-traditions<br />15 h Discours officiels<br />16 h &ndash; 17 h Conf&eacute;rence &laquo; M&eacute;ditation et vie quotidienne &raquo;<br />17 h 30 C&eacute;r&eacute;monies de d&eacute;dicace de fin de journ&eacute;e<br />18 h 30 Concert de musique classique en soutien &agrave; la r&eacute;novation de la Pagode, sous la direction du chef d&rsquo;orchestre Marc Florian. Entr&eacute;e 30&euro;<br /><br /><strong>DIMANCHE 13 JUIN</strong><br /><br />14 h Ouverture des portes<br />14 h &ndash; 17 h 45 Stands, Ateliers, animations, expositions<br />14 h 30 C&eacute;r&eacute;monies d&rsquo;offrande inter-traditions<br />15 h Discours officiels<br />16 h &ndash; 17 h Conf&eacute;rence &laquo; M&eacute;ditation et sant&eacute; &raquo;<br />17 h 30 C&eacute;r&eacute;monies inter-traditions de cl&ocirc;ture<br /><br /></span></div>]]></content:encoded></item><item><title><![CDATA[HEI JO SHIN ]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/hei-jo-shin]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/hei-jo-shin#comments]]></comments><pubDate>Sun, 04 Apr 2010 19:21:11 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/hei-jo-shin</guid><description><![CDATA[Hei jo shin &#24179;&#24120;&#24515;In Budo, maybe more specifically in sword/katana related arts, there is an important term/concept which is Heijoshin. Heijoshin is a three kanji word, the first one &ldquo;Hei&rdquo; means calm, peaceful, steady. The second one &ldquo;jo&rdquo; means always, constant. The third one &ldquo;Shin&rdquo; means mind or hearth, the whole inner essence of the individual.So a final interpretation could be &ldquo;Keeping your state of mind all the time/in all situation [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: justify; "><span style="color: rgb(51, 51, 51); line-height: 19px; "><font color="#000000"><strong><span style="font-size: large;">Hei jo shin &#24179;&#24120;&#24515;</span></strong></font></span><strong></strong><br /><span style="color: rgb(51, 51, 51); line-height: 19px; "><font color="#000000">In Budo, maybe more specifically in sword/katana related arts, there is an important term/concept which is Heijoshin. Heijoshin is a three kanji word, the first one &ldquo;Hei&rdquo; means calm, peaceful, steady. The second one &ldquo;jo&rdquo; means always, constant. The third one &ldquo;Shin&rdquo; means mind or hearth, the whole inner essence of the individual.</font><br /><br /><font color="#000000">So a final interpretation could be &ldquo;Keeping your state of mind all the time/in all situation&rdquo;.</font><br /><br /><font color="#000000">This idea of staying calm in any situation looks of course logical but is not so simple to apply. Practicing every day, keeping in mind that iaido is build on top of a Bujutsu base (Origin of our Budo &ndash; Martial art). Practicing with this in mind is realizing that every encounter with an enemy (Kata) is a question of life and death.</font><br /><br /><font color="#000000">Even today were hopefully such between life and death situation (Real combat) have disapeared, how many time did not you had the feeling (and not only the feeling) of losing your ways. When making a demonstration in front of an important audience, during an examination or a competion (Taikai).</font><br /><br /><font color="#000000">In kendo there is a term to describe the states of mind you should avoid/master. This term is &ldquo;Shikai&rdquo; and can be roughly translated as the &ldquo;4 things to avoid&rdquo; related to your state of mind, let&rsquo;s list them:<br />- Kyo: Surprise (surprise)<br />- Ku: Fear (crainte)<br />- Gi: Doubt (doute)<br />- Waku: Confusion (h&eacute;sitation)</font><br /><br /><font color="#000000">These are the four states of the mind you do not want to fall in during a Kendo/Iaido competition, examination or demonstration. So being able to master your stress, avoiding to lose your temper and stay calm in order to think clearly, execute the proper technique and make the right decision can be described as &ldquo;Heijoshin&rdquo;. This can also be linked to the teaching &ldquo;to be able to defeat the other, first conquer-yourself&rdquo;.</font><br /><br /><font color="#000000">When reaching higher grade, practicing kumitachi, the &ldquo;Kendo no kata&rdquo; for example with a Habiki (Sword replica) can make you suddenly realize such states of fear/doubt, facing someone with a real blade in a combat situation (Kata) even when it is a partner not an ennemy and a predefined scenario.</font><br /><br /><font color="#000000">Being mentaly involved in your combat either real (Kendo), imaginary (Iaido) or during Kumitachi practice allows you to work on mastering your state of mind and maybe achieve the sate of &ldquo;Mushin&rdquo; translated as &ldquo;Empty mind&rdquo; but rather meaning open/free mind that allows you to react/respond instantly to any attack.</font><br /><br /><br /><br /></span></div>  ]]></content:encoded></item><item><title><![CDATA[TAME]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/tame]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/tame#comments]]></comments><pubDate>Sun, 21 Mar 2010 20:29:59 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/tame</guid><description><![CDATA[&#28316;&#28316;&#12417;&#12427; (tameru) means 'to build up' or 'to accumulate'. It is not mentioned in kendo as much as &#27531;&#24515; (zanshin) which as you know refers to the follow through after an attack, but the two are directly connected [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph" style=" text-align: left; "><span style="color: rgb(51, 51, 51); font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 13px; line-height: 20px; "><span><span style="font-size: 23px; ">&#28316;</span></span><br />&#28316;&#12417;&#12427; (<span style="font-style: italic; ">tameru</span>) means 'to build up' or 'to accumulate'. It is not mentioned in kendo as much as &#27531;&#24515; (<span style="font-style: italic; ">zanshin</span>) which as you know refers to the follow through after an attack, but the two are directly connected</span></div>]]></content:encoded></item><item><title><![CDATA[Hinamatsuri]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/hinamatsuri]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/hinamatsuri#comments]]></comments><pubDate>Sat, 06 Mar 2010 20:59:45 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/hinamatsuri</guid><description><![CDATA["Hinamatsuri (Doll's Festival)" is held on March 3rd. This is a day to pray for young girl's growth and happiness. It is also called "Momo no sekku (Peach Festival)" because of the peach blossom season on the old lunar calendar. May 5th is "Kodomo no hi&nbsp;(Children's Day)," and this is so called "Boy's Festival." While Children's Day is a national holiday, Hinamatsuri is not.Most families with girls display "hina-ningyo" (special dolls for Hinamatsuri, see the photo below) and dedicate peach  [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph" style=" text-align: left; "><span style="color: rgb(51, 51, 51); font-family: Verdana; "><font size="2">"Hinamatsuri (Doll's Festival)" is held on March 3rd. This is a day to pray for young girl's growth and happiness. It is also called "Momo no sekku (Peach Festival)" because of the peach blossom season on the old lunar calendar. May 5th is "<a href="http://japanese.about.com/library/weekly/aa050297.htm" style="font-family: inherit; font-size: 13px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-decoration: underline; color: rgb(51, 102, 204); ">Kodomo no hi</a>&nbsp;(Children's Day)," and this is so called "Boy's Festival." While Children's Day is a national holiday, Hinamatsuri is not.</font><br /><br /><font size="2">Most families with girls display "hina-ningyo" (special dolls for Hinamatsuri, see the photo below) and dedicate peach blossoms to them. They are usually arranged on a five or seven-tiered stand covered with a red carpet. At the top are the Emperor and Empress. The next step contains three court ladies (sannin-kanjo), followed by five musicians (gonin-bayashi), two ministers (udaijin and sadaijin), and three servants ending the bottom row in a five-tiered display. There are also small pieces of furniture, small meal dishes, and other things.</font><br /><br /><font size="2">Click&nbsp;<a href="http://japanese.about.com/library/weekly/aa022501b.htm" style="font-family: inherit; font-size: 13px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-decoration: underline; color: rgb(51, 102, 204); ">here</a>&nbsp;to learn about the origin of Hinamatsuri and Hinamatusri song.</font><br /><br /><font size="2"><br /><br /><font size="2"><strong style="font-weight: bold; ">Kozutsumi</strong></font>&nbsp;<font size="2">&#65288;&#23567;&#40723;&#65289;</font>&nbsp;<font size="2">- Hand drum</font><font size="2"><br /><br /><font size="2"><strong style="font-weight: bold; ">Fue</strong></font>&nbsp;<font size="2">&#65288;&#31515;&#65289;</font>&nbsp;<font size="2">- Flute</font><font size="2"><br /><br /><font size="2"><strong style="font-weight: bold; ">Utaikata</strong></font>&nbsp;<font size="2">&#65288;&#35617;&#12356;&#26041;&#65289;</font>&nbsp;<font size="2">- A singer&nbsp;<br />* He has a folding fan (sensu).</font><font size="2"><strong style="font-weight: bold; ">Zuishiin</strong></font>&nbsp;<font size="2">&#65288;&#38543;&#36523;&#65289;</font>&nbsp;<strong style="font-weight: bold; "><font size="2">-</font></strong>&nbsp;<font size="2">Two Ministers</font><br /><br /><font size="2"><br /><br /><font size="2"><strong style="font-weight: bold; ">Udaijin</strong></font>&nbsp;<font size="2">&#65288;&#21491;&#22823;&#33251;&#65289;</font>&nbsp;<font size="2">- The Minister of the Right</font><font size="2"><br /><br /><font size="2"><strong style="font-weight: bold; ">Sadaijin</strong></font>&nbsp;<font size="2">&#65288;&#24038;&#22823;&#33251;&#65289;</font>&nbsp;<font size="2">- The Minister of the Left<br />* The left was considered superior in the old Japanese court, therefore an elder man known of his wisdom was often chosen for this position. This is why a sadaijin doll has a long white beard, and looks older than a udaijin doll.</font><font size="2">Other Items</font><br /><br /><font size="2"><br /><br /><font size="2"><strong style="font-weight: bold; ">Ukon no tachibana</strong></font>&nbsp;<font size="2">&#65288;&#21491;&#36817;&#12398;&#27224;&#65289;</font>&nbsp;<font size="2">- A mandarin orange tree.&nbsp;<br />* It was always planted to the right in the old Japanese court.</font><font size="2"><br /><br /><font size="2"><strong style="font-weight: bold; ">Sakon no sakura</strong></font>&nbsp;<font size="2">&#65288;&#24038;&#36817;&#12398;&#26716;&#65289;</font>&nbsp;<font size="2">- A cherry tree.&nbsp;<br />* It was always planted to the left in the old Japanese court. Since this is a Peach Festival, it is often substituted with a peach tree.</font></span></div>]]></content:encoded></item><item><title><![CDATA[Terminologie2]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/terminologie2]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/terminologie2#comments]]></comments><pubDate>Tue, 23 Feb 2010 05:30:36 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/terminologie2</guid><description><![CDATA[Abumi:EtriersBako:BoiteByobu:Paravent en papier peintChaire:Petit pot &agrave; th&eacute;Chawan:Bol &agrave; th&eacute;Daisho:Paire de sabresEbira:CarquoisFusuma:Portes coulissantesFuchi-Kachira:Bagues en m&eacute;tal cisel&eacute;, situ&eacute;e &agrave; chaque extr&eacute;mit&eacute; de la poign&eacute;e de sabreInro:Boite &agrave; m&eacute;decine en bois laqu&eacute;, compos&eacute;e de plusieurs cases coulissantes sur deux cordonsJimbaori:Manteau d'armureKabuto:Casque d'armureKakemono:Peintu [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph" style=" text-align: left; "><span style="color: rgb(229, 178, 191); font-family: Verdana, Arial, Helvetica, sans-serif; "><font color="#0F0303">Abumi:Etriers<br />Bako:Boite<br />Byobu:Paravent en papier peint<br />Chaire:Petit pot &agrave; th&eacute;<br />Chawan:Bol &agrave; th&eacute;<br />Daisho:Paire de sabres<br />Ebira:Carquois<br />Fusuma:Portes coulissantes<br />Fuchi-Kachira:Bagues en m&eacute;tal cisel&eacute;, situ&eacute;e &agrave; chaque extr&eacute;mit&eacute; de la poign&eacute;e de sabre<br />Inro:Boite &agrave; m&eacute;decine en bois laqu&eacute;, compos&eacute;e de plusieurs cases coulissantes sur deux cordons<br />Jimbaori:Manteau d'armure<br />Kabuto:Casque d'armure<br />Kakemono:Peinture sur papier en hauteur<br />Katana:Grand sabre dont la lame mesure plus de 60 cm<br />Kizeru:Pipe<br />Kizeru Zutsu:Etui &agrave; pipe<br />Kobako:Petite boite<br />Kura:Selle<br />Makemono:Peinture sur papier en largeur<br />Menpo:Masque d'armure<br />Naginata:Lance<br />Netsuke:Objet en bois, Ivoire et autres mat&eacute;riaux scult&eacute;s servant d'arr&ecirc;toir<br />Nomen:Masque en bois peint pour le th&eacute;&acirc;tre No<br />Teppo:Fusil<br />Suzuribako:Boite &eacute;critoire<br />Tachi:Grand sabre dont la lame mesure plus de 60 cm et qui se porte le tranchant vers le sol<br />Tansu:Meuble en bois<br />Tanto:Poignard<br />Tabacco Ire:Pochette &agrave; Tabac<br />Tsuba:Garde de sabre<br />Ukiyoe Hanga:Estampe japonaise<br />Yari:Lance<br />Yumi:Arc<br />Wakizachi:Sabre moyen</font><br /></span></div>]]></content:encoded></item><item><title><![CDATA[Paul Auster]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/paul-auster]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/paul-auster#comments]]></comments><pubDate>Tue, 29 Dec 2009 04:33:34 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/paul-auster</guid><description><![CDATA["Una peque&ntilde;a fraternidad de hombres y mujeres solitarios, enclaustrados y mani&aacute;ticos que pasamos casi todo nuestro tiempo encerrados luchando por colocar palabras en una p&aacute;gina. Es algo demasiado arduo, demasiado mal pagado, demasiado lleno de decepciones para que, de otro modo, alguien acepte este destino". As&iacute; define Paul Auster el oficio de escritor. [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph" style=" text-align: justify; "><span style="color: rgb(51, 51, 51); font-family: Georgia, 'Times New Roman', Times, serif; font-size: 16px; line-height: 22px; ">"Una peque&ntilde;a fraternidad de hombres y mujeres solitarios, enclaustrados y mani&aacute;ticos que pasamos casi todo nuestro tiempo encerrados luchando por colocar palabras en una p&aacute;gina. Es algo demasiado arduo, demasiado mal pagado, demasiado lleno de decepciones para que, de otro modo, alguien acepte este destino". As&iacute; define Paul Auster el oficio de escritor.</span></div>]]></content:encoded></item><item><title><![CDATA[Koryu Books]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/koryu-books]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/koryu-books#comments]]></comments><pubDate>Fri, 25 Dec 2009 09:20:55 GMT</pubDate><category><![CDATA[budo]]></category><category><![CDATA[dojo]]></category><category><![CDATA[etiquette]]></category><category><![CDATA[japon]]></category><category><![CDATA[koryu]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/koryu-books</guid><description><![CDATA[http://koryu.com/library/dlowry16.htmlweeblylink_new_window [...] ]]></description><content:encoded><![CDATA[<div ><div style="text-align: center;"><a><img src="https://www.kenginkan.eu/uploads/1/6/2/8/1628910/4705248.jpg" style="margin-top: 10px; margin-bottom: 10px; margin-left: 10px; margin-right: 10px; border-width:1px;padding:3px;" alt="Picture" class="galleryImageBorder" /></a><div style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px;"></div></div></div><div  class="paragraph" style=" text-align: left; "><a href="http://koryu.com/library/dlowry16.html" target="_blank">http://koryu.com/library/dlowry16.htmlweeblylink_new_window</a><br /></div>]]></content:encoded></item><item><title><![CDATA[Jean  Claude Heudin ---(Nidan Sanbokyodan) écrit:=)]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/jean-claude-heudin-nidan-crit]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/jean-claude-heudin-nidan-crit#comments]]></comments><pubDate>Sun, 20 Dec 2009 18:51:25 GMT</pubDate><category><![CDATA[arts]]></category><category><![CDATA[cr&eacute;atures]]></category><category><![CDATA[fiction]]></category><category><![CDATA[robots]]></category><category><![CDATA[sciences]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/jean-claude-heudin-nidan-crit</guid><description><![CDATA[Depuis l&rsquo;aube de l&rsquo;humanit&eacute;, l&rsquo;homme tente de reproduire le vivant. Parmi les l&eacute;gendes qui ont influenc&eacute; cette qu&ecirc;te, le mythe de Pygmalion tient une place particuli&egrave;re. Aid&eacute; par V&eacute;nus dans la gen&egrave;se d&rsquo;une beaut&eacute; artificielle, le roi antique succomba &agrave; son irr&eacute;sistible charme. Depuis, les descendantes de Galat&eacute;e ont pris de multiples formes : des statues vivantes aux automates, des robots a [...] ]]></description><content:encoded><![CDATA[<div ><div style="text-align: center;"><a><img src="https://www.kenginkan.eu/uploads/1/6/2/8/1628910/494880.jpg?151" style="margin-top: 10px; margin-bottom: 10px; margin-left: 10px; margin-right: 10px; border-width:1px;padding:3px;" alt="Picture" class="galleryImageBorder" /></a><div style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px;"></div></div></div><div  class="paragraph" style=" text-align: justify; "><span style="color: rgb(85, 85, 85); font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 11px; line-height: normal; "><span style="font-size: small;">Depuis l&rsquo;aube de l&rsquo;humanit&eacute;, l&rsquo;homme tente de reproduire le vivant. Parmi les l&eacute;gendes qui ont influenc&eacute; cette qu&ecirc;te, le mythe de Pygmalion tient une place particuli&egrave;re. Aid&eacute; par V&eacute;nus dans la gen&egrave;se d&rsquo;une beaut&eacute; artificielle, le roi antique succomba &agrave; son irr&eacute;sistible charme. Depuis, les descendantes de Galat&eacute;e ont pris de multiples formes : des statues vivantes aux automates, des robots aux cyborgs et aux clones, des intelligences artificielles aux avatars, jusqu&rsquo;aux fant&ocirc;mes qui hantent la m&eacute;moire de nos ordinateurs.Ce livre rassemble une collection d&rsquo;images spectaculaires qui illustrent l&rsquo;&eacute;volution des robots et des avatars. Il nous r&eacute;v&egrave;le les tendances d&rsquo;un avenir symbiotique o&ugrave; le cr&eacute;ateur et sa cr&eacute;ature, la science et l&rsquo;imaginaire se m&ecirc;lent.</span><br /><br /></span></div>]]></content:encoded></item><item><title><![CDATA[Budo ]]></title><link><![CDATA[https://www.kenginkan.eu/notre-blog/budo]]></link><comments><![CDATA[https://www.kenginkan.eu/notre-blog/budo#comments]]></comments><pubDate>Sun, 15 Nov 2009 18:14:48 GMT</pubDate><category><![CDATA[aikido]]></category><category><![CDATA[concepts]]></category><guid isPermaLink="false">https://www.kenginkan.eu/notre-blog/budo</guid><description><![CDATA[&nbsp;KY&Ocirc; - Surprise&nbsp;&nbsp;GHI - Anxi&eacute;t&eacute;&nbsp;&nbsp;WAKU - H&eacute;sitation&nbsp;&nbsp;Ku - Peur&nbsp;Ces notions sont toutes vitales dans le BUDO et tr&egrave;s importantes dans nos vies. Apr&egrave;s avoir vaincu ces erreurs, vous devez acqu&eacute;rir rapidement 4 vertus :1)&nbsp;&nbsp;REI &ndash; politesse&nbsp;: l&rsquo;art de se comporter de la fa&ccedil;on la plus polie possible envers qui que ce soit, &agrave; l&rsquo;int&eacute;rieur et &agrave; l&rsquo;ext&eac [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph" style=" text-align: justify; "><span style="color: rgb(0, 0, 0); font-family: Verdana, Arial, Helvetica, sans-serif; line-height: normal; "><br />&nbsp;KY&Ocirc; - Surprise&nbsp;<br />&nbsp;GHI - Anxi&eacute;t&eacute;&nbsp;<br />&nbsp;WAKU - H&eacute;sitation&nbsp;<br />&nbsp;Ku - Peur&nbsp;<br /><br /><br />Ces notions sont toutes vitales dans le BUDO et tr&egrave;s importantes dans nos vies. Apr&egrave;s avoir vaincu ces erreurs, vous devez acqu&eacute;rir rapidement 4 vertus :<br /><br />1)&nbsp;&nbsp;<strong>REI &ndash; politesse</strong>&nbsp;: l&rsquo;art de se comporter de la fa&ccedil;on la plus polie possible envers qui que ce soit, &agrave; l&rsquo;int&eacute;rieur et &agrave; l&rsquo;ext&eacute;rieur du dojo<br /><br />2)&nbsp;&nbsp;<strong>CHOKU - force</strong>&nbsp;: l&rsquo;&eacute;nergie qui d&eacute;coule de l&rsquo;unification de l&rsquo;esprit et du corps pour combattre les difficult&eacute;s de la vie, l&rsquo;&eacute;nergie na&icirc;t de la combinaison du corps et de l&rsquo;esprit.<br /><br />3)&nbsp;&nbsp;<strong>SEI - tranquillit&eacute;</strong>&nbsp;: contr&ocirc;ler sa propre personne avec &eacute;quilibre, calme, s&eacute;r&eacute;nit&eacute; et d&eacute;termination<br /><br />4)&nbsp;&nbsp;<strong>SOKU - rapidit&eacute;</strong>&nbsp;: rapidit&eacute; de jugement, &ecirc;tre sur le qui-vive afin de ne jamais se tromper, la capacit&eacute; de r&eacute;pondre imm&eacute;diatement et de la meilleur fa&ccedil;on possible quelle que soit la situation. Votre corps sera en harmonie avec votre esprit si vous pratiquez ces techniques et vertus quotidiennement.&nbsp;<br /><br />d'apr&egrave;s NEBI VURAL 6em DAN AIKIDO&nbsp;<br /><br /></span></div>]]></content:encoded></item></channel></rss>